A few years ago, someone asked me if I had seen Richard Linklater’s 1991 indie film Slacker.
Yeah, wasn’t that in black and white?
Slacker, in full color, blurred in my memory with the black and white films of the late ‘80s, early ‘90s—Clerks, Go Fish, Under the Cherry Moon, Truth or Dare— you know, all the classics.
You would think the innovative story structure would have stayed with me.
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